Peter Wiklund: Dreamland

These pictures belong to Dreamland I – an ongoing series. One of several Dreamland series, that is. The common feature is that they are landscapes in the grey area between reality and imagination. They are real to some extent, since they are obviously photographed in the real world. But they go beyond the reproduction of nature. The landscapes would appear instead in dreams, or nightmares perhaps.

Peter Wiklund, “Androgynous,” ink jet print, 25×60 cm, 2009

Many of the images are characterized by a combination of beauty and disaster – in a somewhat romantic tradition. The final holocaust, last man standing.

Peter Wiklund, “Heading North,” ink jet print, 25×60 cm, 2009

All of the images are self-portraits. Giving myself the double role of photographer and model gets me more deeply involved in the final result. At the same time, it adds an extra element of chance, since I cannot see the final setup during shooting.

Peter Wiklund, “Hiding,” ink jet print, 25×60 cm, 2009

The first images I took, when starting with the Dreamland series, were uninhabited. I had set out to capture the emotion I got wandering in a forest that had burnt down about ten years earlier. A feeling of having been there before, having seen the same surroundings – though it was the first time there. Like being confronted with reminiscences from dreams.

Peter Wiklund, “Silent Tree,” ink jet print, 25×60 cm, 2009

These images are taken with a special pinhole camera, an anamorphic camera made by Abelson Scope Works. The camera is loaded with film which runs inside a cylinder. On top of the cylinder there is a tiny hole – the pinhole – which lets the light come in. The anamorphic construction makes the landscape somehow “unfold” in the images, adding a sense of surrealism. As in dreams.

Peter Wiklund, “The Attack,” ink jet print, 25×60 cm, 2009

I often work with different pinhole cameras, for several reasons. Most important is the element of chance, giving me images that can be much better than ones I might pre-visualize. A pinhole camera can often be used for making images that are something else than mere reproductions of the subject in front of the camera.

Peter Wiklund, “Light Waves,” ink jet print, 25×60 cm, 2009

Born in 1967, Peter Wiklund lives in Stockholm, where he works as a journalist and photographer. His images are shown in group exhibitions on a regular basis, from the United States to Russia.

www.peterpinhole.com

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